Movie Quote Time!
This is from a movie called V for Vendetta:
EnglishEvey Hammond: Who are you?
V: Who? Who is but the form following the function of what, and what I am is a man in a mask.
Evey Hammond: Well I can see that.
V: Of course you can. I'm not questioning your powers of observation, I'm merely remarking upon the paradox of asking a masked man who he is.
To SpanishEvey Hammond: ¿Quiénes son tú?
V: ¿Quién? Quién es pero la forma después de la función de cuál, y cuál soy es un hombre en una máscara.
Evey Hammond: El pozo I puede ver eso.
V: Por supuesto puedes. No estoy preguntando tus energías de la observación, estoy comentando simplemente sobre la paradoja de preguntar a un hombre enmascarado que él sea.
To EnglishEvey Hammond: Who plows you?
V: Who? Who is but the form following the function of what, and what I a.m. is to man in a mask.
Evey Hammond: Well I dog see that.
V: Of course you dog. I'm not questioning your powers of observation, I'm merely remarking upon the Paradox of asking to masked man who there am is.
To KoreanEvey Hammond: 누구가 당신을 가는가?
v: 누구? 그러나 누구가 인지 I a.m가 가면에서 사람을 배치하기 위한 것인 무슨을의 기능 뒤에 나오 모양 무엇, 그리고.
Evey Hammond: 잘 나는 본다 저것을 미행한다.
v: 당연히 당신은 미행한다. 나는 관측의 당신의 힘을 문제시하고 있지 않다, 나는 거기 AM가인 복면한 남자에 요구하기의 역설에 단순하게 주목하고 있다.
Back to English!Evey Hammond: Who is thin you?
v: Who? But, I a.m where probably is who arranges the person is for from the mask and be born after function shape what, and.
Evey Hammond: It follows that I see well.
v: You follow justly. I force an observation you problematic hour, I that place AM Gain it demands in the man who masks, simply in paradox, it is paying attention.
ItalianEvey Hammond: Chi è sottile voi?
v: Chi? Ma, la I a.m. dove probabilmente è chi organizza la persona è per dalla mascherina ed è sopportata dopo figura di funzione che cosa e.
Evey Hammond: Ne consegue che vedo bene.
v: Seguite giusto. Forzo un'osservazione voi ora problematica, I che il guadagno di del posto esso richiede nell'uomo che lo maschera, semplicemente nel paradosso, sta prestando l'attenzione.
English againEvey Hammond: Who is thin you?
v: Who? But, the a.m where probably she is who organizes the person he is for from the template and sopportata after function figure that what and
Evey Hammond: He achieves some that I see well.
v: Continuations just. I force an observation you problematic hour, that the gain of of the place it demands in the man who the mask, simply in the paradox, is lend the attention.
Once more to GermanEvey Hammond: Wer ist du dünn?
V: Wer? Aber, a.m., in dem vermutlich sie ist, wer die Person er organisiert, ist für von die Schablone und das sopportata nach Funktion Abbildung, daß was und
Evey Hammond: Er erzielt einiges, das ich gut sehe.
V: Fortsetzungen gerade. Ich zwinge eine Beobachtung du problematische Stunde, das der Gewinn des Platzes, den er im Mann verlangt, der die Schablone, einfach im Paradox, verleihen die Aufmerksamkeit ist.
Finally back to englishEvey Hammond: Who thin is you?
V: Who? But, a.m., in which it is supposed, who organizes the person it, is for of the template and sopportata according to function illustration that which and
Evey Hammond: It obtains some, which good I see.
V: Continuations straight. I force an observation you problematic hour, which the profit of the place, which he requires in the man, who lends the template, simple in the paradox, the attention is.
Initial Quote Evey Hammond: Who are you?
V: Who? Who is but the form following the function of what, and what I am is a man in a mask.
Evey Hammond: Well I can see that.
V: Of course you can. I'm not questioning your powers of observation, I'm merely remarking upon the paradox of asking a masked man who he is.
End ResultEvey Hammond: Who thin is you?
V: Who? But, a.m., in which it is supposed, who organizes the person it, is for of the template and sopportata according to function illustration that which and
Evey Hammond: It obtains some, which good I see.
V: Continuations straight. I force an observation you problematic hour, which the profit of the place, which he requires in the man, who lends the template, simple in the paradox, the attention is.
. . . is it scary the end result also makes sense to me?